Foreign postcard promotion of photographer Lin Chien-Chuan’s works 林建全攝影家作品國外明信片宣傳 http://mypostcardproject.blogspot.com/search/label/taiwan https://worldcometomyhome.blogspot.com/2015/12/2163-taiwan-pingxi-line-in-shifen.html https://thesmartlocal.com/read/sakura-spots-taiwan
林建全攝影家自拍照,拍攝於2015年台北迪化街。Selfie taken by photographer Chien-chuan Lin , taken in Dihua street, Taipei in 2015.
我很喜歡攝影,閒暇之日我會常外出拍照,除此之外我也喜愛水墨畫,水彩,書法,素描,篆刻等美術學科,常利用工作之餘我在台北市的各市辦美術研習班學習才藝有多年了,2003年國立台北藝大有單刷版畫創作碩士學分班招生,我一直想進入美術學校就讀便備齊資料報名就學,上課後每週都需有新作品打分數,經數月努力拿到了學分及格證書。 |
For photography, light is like a painter's pen, so light metering is very important in photography. Ever since I used a Linhof large camera to shoot when I was young, I have been using this GOSSEN light meter. It is the best when taking negative photos. It is a very good precision device, especially when you are chasing the light. The scene changes at any time. You don’t have to work too hard on metering. You can accurately measure the exposure value by just scanning the scene and moving quickly. The pointer on the meter is positive 3. frame and minus 3 frames are exactly the tolerance value of the film, but when using positive film, the image will be distorted if you exceed one frame. My works of Xinyi Meixiang, Cherry Blossoms Getting Off the Train, and Hehuan Mountain Winter Snow, all used this metering Table, it does not need to do exposure compensation conversion for snow and plum blossom white scenery, you can get the correct value directly by facing the snow, it is really a magic weapon. The more important part of photography is light control. It is easy to control light in a studio, but nature is also a big studio. The same thing is that light can be controlled. For example, if you choose seasonal photography, you can choose the softness and hardness of the light, and The time of the earth will change the direction of light, and you can use the flow of clouds and changing the position of people to choose light control. Light will affect the persuasiveness of your work. Photography and beauty are related. Human beings have unlimited and endless abilities for visual aesthetics. Such as in the works of Michelangelo, Velazquez, Picasso, Rohan, Rembrandt, Roysdahl, Constable, Van Gogh, Monet, Millet, Vermeer, Wu Guanzhong , whether it is the painting theory of Impressionism or Abstraction, we can all appreciate and understand it, but this is not entirely the lowest level of human visual conflict. Every artist wants to use his or her works to touch people's visual soul, so that art can sublimate the spiritual space and obtain a feast of beauty. In today's generation, people's vision is too powerful and frequent, but as a photographer As a family member, I also hope in life that some of my works can touch the viewers’ innermost feelings. 對攝影來說,光線如同畫家的筆,所以測光在攝影上是相當的重要了,從我年輕使用Linhof大型相機拍攝後,就開始使用這款GOSSEN測光表,它在拍照底片攝影時是相當好的精密設備,尤其是在追著光線跑時,景物隨時在改變你可不必太費力在測光上,只要對著景物掃射快速移動就可精準側到曝光值,表上的指針是正3格與負3格,正是底片的寬容值,但在使用正片時過度一格影像就會失真了,我的信義梅鄉作品,櫻花下火車,合歡山冬雪,都是使用這款測光表,它不必對雪地與梅花白色的景物做曝光補賞換算,直接對著雪地就可得到正確值,真是神兵利器。 攝影更重要的一環是控光,棚內是容易控光的,但大自然也是一個大攝影棚,相同的是可以控光的,如選擇季節攝影,可選擇光的軟硬度,還有地球的時間會改變光的方向,及利用雲的流動與改變人的位置等來選擇光亮等的控光,光線是會影響你的作品說服力。4 攝影與美感是有關聯的,人類對視覺的審美有著無限及無窮的能力。如米開朗基羅、委拉斯蓋茲、畢卡索、洛漢、林布蘭、羅伊斯達爾、康斯塔伯、梵谷、莫內、米勒、維梅爾、吳冠中等的作品中,無論是印象畫派或抽象畫派的畫理,我們都能欣賞與理解,但這並非完全是人類最底限的視覺牴觸。每一位藝術家都想藉自己的作品來感動人的視覺深處的靈魂,讓藝術能昇華心靈精神空間而獲得美的饗宴,今日這個世代視覺對人們震撼太強與頻繁了,但身為攝影家的我,生活中也希望我的作品,有幾張能觸動觀賞者內心淺層的感動。 |