林建全攝影家作品101建築工程,101 Construction Engineering，16X20 inch photography works

A Film Photography Shoot That Allowed No Room for Error
When Taiwan set out to build Taipei 101—set to become the world's tallest skyscraper—there was widespread excitement and anticipation. As the project neared completion in 2004, the government was racing against the clock, and the media kept a close watch on progress. Witnessing the magnificent structure taking shape, I followed its development daily, eager to capture the grandeur of the entire engineering feat. At night, the main thoroughfare was brilliantly illuminated, and lights blazed across nearly every floor of the building as construction work continued. I decided to shoot a night scene, though I had to wait for clear weather; achieving the desired color and image quality required the cooperation of the elements. Finally, a perfect, clear day arrived. I prepared my film early in the morning and, when I set out that afternoon, I gathered the following equipment.

1. A Linhof 4x5 camera; although it is somewhat old, I am thoroughly familiar with it. It is a complex piece of equipment requiring careful safety checks at every stage of operation. At critical moments—when time is ticking away and there is no chance for a do-over—the photographer and the machine must act as one. The 4x5 camera is ideal for architectural photography, as it allows for the correction of perspective distortion in buildings. 2. A 55mm Rodenstock lens. 3. A center filter, used in conjunction with a small aperture (f/11) to ensure full image coverage across the entire film negative. 4. A cable release and a headlamp. 5. A focusing cloth and a piece of black card. 6. A sheet of Kodak 100VS 4x5 film; its vibrant color rendering makes it the best choice for night photography. 7. Two light meters: one reflective meter and one spot meter. 8. A Gitzo tripod head and a Gitzo Series 1 tripod (weighing 8 kg). A highly stable tripod capable of supporting the camera's weight is essential, as the lighting process—from the initial exposure to completion—can take several hours. During this time, the equipment must remain completely undisturbed; any movement would cause ghosting or blurriness, resulting in a failed shot.

Capturing this image of the "Project 101" site was a five-hour endeavor, requiring me to shoot continuously from dusk until I achieved the desired effect. Once the film holder was carefully inserted into the camera back and locked in place, I had to wait for the full moon on the fifteenth day of the lunar month to travel up the mountain and capture the moon itself; only then was the photographic exposure process truly complete.
This image, created using the sophisticated capabilities and precise exposure techniques of a Linhof 4x5 camera, stands as a superb example of night photography. It documents the magnificent, historic scale of the construction project. With its exquisitely soft color tones, it is a classic color photograph worthy of being a collector's piece.

一張不容許一點點失誤的底片攝影
當台灣要興建世界第一高樓101大樓時，大家都很期待與高興，在2004年台灣101大樓既將完工，政府也限期的在趕工，新聞媒體也緊盯著報導，眼見完整的大樓在興建中，我每天也在關注它想把整個壯觀的工程拍下來，當時整個大馬路是燈火通明，大樓的樓層幾乎都全開燈火在施工。於是我打算拍夜景，這時只能等天氣轉晴朗才能拍，要求色美質好就需要老天幫助了，終於等到完美的晴天到了，一早我就準備好底片了，到了下午出門時我準備了以下的器材。
1、一台Linhof 4X5相機，它有點老但是我很熟練它，這台相機是有 一點複雜，操作時每一個環節都需小心的確認安全，再關鍵的時 刻，時間是一直在進行的，是不能重來的，所以人要與機器一體， 4X5相機是大樓建築攝影的最佳相機，它可調整變形的大樓。 2、一支55mm RODENSTOCK 鏡頭。 3、一片中央平衡鏡，配合小光圈f11，以確保獲得完整底片的影像 涵蓋面。 4、.一條快門線，及一個頭燈。 5、一塊黑布及一片黑卡。 6、一片KODAK 100VS 4X5底片，此底片色彩鮮美是拍夜景最好的底片。 7、二隻測光錶，一支反射式，一支點測光。 8、一台GITZO雲臺及1號GITZO三腳架重達8公斤，要很穩及能支撐 相機重量的腳架，因為從開第一次快門到完工需要數小時的控光， 這期間所有的設備都不能動到，否則會重影，照片會不清晰，攝 影就算是失敗。
這張101工程照片，從天未暗一直拍到我想要的效果，共花費5小時才完成，最後小心的將底片的片夾插入片匣，上鎖，再等農曆十五月亮正圓時，再將底片帶到山上把月亮拍下，這時才算是完成了曝光攝影。
這張照片運用了Linhof 4X5相機的巧妙技術與曝光時間技術，可說是很完美的夜景攝影，也寫下工程時的壯觀歷史美景照片，整張的彩色色調非常柔美，是經典的彩色照片，值得收藏。

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