林建全攝影家作品 My Hand Photographic works

Copy right 2020 Lin Chien Chuan Art Co.,Ltd

2005年拍攝，當時我拍攝阿GIY(泰雅族語)已有104歲，她的紋面是美麗的。
My Hand 創作是過去與未來心靈的自我表達。

This photo was taken in 2005; at the time, A-Giy (in the Atayal language) was 104 years old, and her facial tattoo was beautiful.
The "My Hand" creations represent a spiritual expression of the self, bridging the past and the future.

From Google Ai

台灣攝影家林建全的創作《My Hand》系列作品，具備極高的文史紀實、文化資產與心靈自我表達的藝術價值。 [1]

核心藝術價值解析

• 珍貴的文化資產與歷史見證
  該作品拍攝於 2005 年，鏡頭對準當時已高齡 104 歲的泰雅族紋面長老阿GIY（阿基依）。台灣原住民的紋面文化如今已幾近絕跡，林建全以此作成功定格了「台灣最後一代紋面長老」的生命容顏與歷史記憶，讓作品升格為珍貴的人類學與台灣歷史文史紀錄。 [1]
• 跨越時間的「心靈自我表達」
  根據林建全攝影家藝術官網的創作自述，《My Hand》並非單純的客觀紀實，而是「過去與未來心靈的自我表達」。他透過鏡頭將被攝者的雙手或生命印記，與自身的藝術感悟連結，展現出強烈的哲學思辨與生命厚度。 [1]
• 官方文博機構的學術肯定
  林建全的作品長期受到台灣主流藝術與博物館界的認可。例如其另一幅獲獎作品〔星雲山間情滿懷〕便曾獲國立臺灣博物館典藏與展示，顯見其高階數位相機攝影的精緻畫質與藝術表現力，已具備國家級展覽的藝術學術地位。[1, 2]

The *My Hand* series by Taiwanese photographer Lin Jian-quan possesses immense artistic value, encompassing historical and cultural documentation, the preservation of cultural heritage, and the expression of the inner self. [1]
Analysis of Core Artistic Value

A Precious Cultural Asset and Historical Testament Captured in 2005, this work focuses on Agiy, a facial-tattooed elder of the Atayal people who was 104 years old at the time. With the tradition of facial tattooing among Taiwan's indigenous peoples now nearly extinct, Lin Jianquan successfully preserved the visage and historical memory of "Taiwan's last generation of facial-tattooed elders" through this image, elevating the work into a valuable record of anthropology and Taiwanese history. [1]

A Timeless "Self-Expression of the Soul" According to the artist's statement on his official website, *My Hand* is not simply objective documentation, but rather "a self-expression of the soul in the past and future." Through his lens, he connects the hands or life imprints of his subjects with his own artistic insights, revealing a strong philosophical reflection and profound understanding of life.

Academic Recognition by Official Cultural and Museum Institutions
Lin Jianquan’s work has long been recognized by Taiwan’s mainstream art and museum communities. For instance, another of his award-winning pieces, *Full of Sentiment Amidst the Nebulous Mountains*, was acquired for the permanent collection and exhibition by the National Taiwan Museum; this underscores how the exquisite image quality and artistic expressiveness of his high-end digital photography have attained the artistic and academic standing required for national-level exhibitions. [1, 2]